Parveen Shakir

The Best of Parveen Shakir

Parveen Shakir

Parveen Shakir (November 24, 1952 - December 26, 1994) was an Urdu poet, teacher and a civil servant of the Government of Pakistan.
Shakir started writing at an early age and published her first volume of poetry, Khushbu [Fragrance], to great acclaim, in 1976. She subsequently published other volumes of poetry - all well-received - Sad-barg [Marsh Marigold] in 1980, Khud Kalami [Soliloquy] and Inkar [Denial] in 1990, Kaf e Aina [The Mirror's Edge] besides a collection of her newspaper columns, titled Gosha-e-Chashm [The Sight Corner], and was awarded one of Pakistan's highest honours, the Pride of Performance for her outstanding contribution to literature. The poetry books are collected in the volume Mah e Tamam [Full Moon] with the exception of Kaf e Aina.
Shakir died in 1994in a car accident while on her way to work.

Early career

Shakir started writing at a young age, penning both prose and poetry, and contributing columns in Urdu newspapers, and a few articles in English dailies.Initially, she wrote under the pen-name, Beena. Shakir was highly educated with two masters degrees, one in English Literature and one in Linguistics. She also held a Ph.D and another masters degree in Bank Administration.

She was a teacher for nine years before she joined the Civil Service and worked in the Customs department. In 1986 she was appointed the second secretary, CBR in Islamabad.


Shakir employed mainly two forms of poetry in her work, one being the prevalent ghazal [plural: ghazalyaat], and the other being free verse. The most prominent themes in Shakir's poetry are love, feminism, and social stigmas, though she occasionally wrote on other topics as well. Her work was often based on romanticism, exploring the concepts of love, beauty and their contradictions, and heavily integrated the use of metaphors, similes and personifications.

Arguably, Shakir can be termed the first poetess to use the word larki (girl) in her works—the male-dominated Urdu poetry scene seldom employs that word, and uses masculine syntax when talking about the 'lover'. Similarly, she often made use of the Urdu first-person, feminine pronoun in her verses which, though extremely common in prose, was rarely used in poetry, even by female poetesses, before her.


Shakir's ghazalyaat are considered "a combination of classical tradition with modern sensitivity," and mainly deal with the feminine perspective on love and romance, and associated themes such as beauty, intimacy, separation, break-ups, distances, distrust and infidelity and disloyalty.
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'.
Shakir's ghazalyaat heavily rely on metaphors and similes, which are repeatedly and thought-provokingly used to bring force and lyricism in her work. A fine example of this is seen in one of her most famous couplets, "Wo tou khushbu hai, hawaon main bikhar jaye ga/ Masla phool ka hai, phool kidher jayega?" [Translation: He is fragrance and would waft in the air/ the trouble lies with the flower - where shall the flower go?] where Shakir relates 'fragrance' to an unfaithful lover, 'air' to the unfaithful person's secret loves, and 'flower' to the person being cheated. Other metaphors Shakir commonly uses are titli [butterfly] for a Romeo, badal [cloud] for one's love, baarish [rain] for affection, and andhi[storm] for difficulties.
Some of Shakir's ghazalyaat or, more specifically, couplets, have gained an iconic status in Urdu literature. One of her most famous couplets if the one given above. Another famous, Shakir couplet is "Jugnuu ko din kay wakt parakhne ki zid karain/ Bachchay hamaray ehed kay chalaak ho gaye" [They insist upon evaluating the firefly in daylight/ The children of our age, have grown clever], which is often quoted to comment on the often surprising knowledge and awareness of the 21st century child.

Free Verse

As compared to her ghazalyaat Shakir's free verse is much bolder, and explores social issues and taboos, including gender inequality, discrimination, patriotism, deceit, prostitution, the human psyche, and current affairs. It is also much more modern and up-to-date.
Shakir is known for having employed the usage of pop culture references and English words and phrases, that have mixed up with Urdu, in her free verse - a practice that is both generally considered inappropriate, and criticized, in Urdu poetry. An example is the poemDepartmental Store MeiN [In a Departmental Store], which is named thus despite the fact that there the term 'departmental store' could easily have been substituted with its Urdu equivalent, and where words like 'natural pink,' 'hand lotion,' 'shade,' 'scent' and 'pack' are brought into use, and references made to cosmetics brands like, Pearl, Revlon, Elizabeth Arden, and Tulip. Other examples are her poems Ecstasy,Nun and Picnic.
Shakir's free verse also contains a few, credited translated or inspired works i.e. poems that are translations of, or inspired by, other authors. Examples are Wasteland, a poem inspired by Elliot's poem of the same name, and Benasab Wirsay Ka Bojh [The Burden of Illegitimate Inheritance], a translation of W.B. Yeats's Leda and the Swan.

Critical Reception 

Shakir's poetry was well-received, and after her untimely death she is now considered one of the best and "most prominent" modern poets Urdu language has ever produced. Hailed as a "great poetess," her poetry has drawn comparisons to that of Iranian poet Forough Farrokhzad, and she is considered among the breed of writers "regarded as pioneers in defying tradition by expressing the "female experience" in Urdu poetry."
A source states, "Parveen ... seems to have captured the best of Urdu verse ... Owing to [her] style and range of expressions one will be intrigued and ... entertained by some soul-stirring poetry."  Another praises "her rhythmic flow and polished wording."
Literary figure Iftikhar Arif has praised Shakir for impressing "the young lot through her thematic variety and realistic poetry," for adding "a new dimension to the traditional theme of love by giving expression to her emotions in a simple and pellucid style," and using a "variety of words to convey different thoughts with varying intensities."
The Delhi Recorder has stated that Shakir "has given the most beautiful female touch to Urdu poetry."


Shakir's first book, Khushbu, was awarded the Adamjee Award. Later, she was awarded the Pride of Performance, one of Pakistan's highest honors.
Upon her death, the Parveen Shakir Trust was established by her close friend, Parveen Qadir Agha. The Parveen Shakir Trust organizes a yearly function and gives out the "Aks-e-Khushbo" award.


Shakir was born on 24 November 1952 in Gaya Bihar in India. 


Shakir was highly educated. She received two undergraduate degrees, one in English literature and the other in linguistics, and obtained MA degrees in the same subjects from the University of Karachi. She also held a PhD, and another MA degree in Bank Administration.

In 1982, Shakir qualified the Central Superior Services Examination. In 1991, she obtained an MA degree in Public Administration from Harvard University, USA.


Shakir married a Pakistani doctor, Naseer Ali, with whom she had a son, Syed Murad Ali—but the marriage did not last long and ended in a divorce.


On Dec 26th, 1994, Shakir's car collided with a bus while she was on her way to work in Islamabad. The accident resulted in her death, a great loss to the Urdu poetry world. The road on which the accident took place is named after her.

Ahmed Faraz | wo hamsafar

The Best of Ahmed Faraz

Ahmad Faraz born Syed Ahmad Shah on January 14,1931,in Kohat, was a Pakistani Urdu poet. He was considered one of the greatest modern Urdu poets of the last century. Faraz is his pseudonym 'takhalus'. Faraz died in Islamabad on August 25, 2008.
Faraz has been compared with Faiz Ahmad Faiz, holds a unique position as one of the best poets of current times, with a fine but simple style of writing. Even common people can easily understand. Ethnically a Hindkowan, Ahmed Faraz studied Persian and Urdu at the Peshawar University. He later became lecturer at the Peshawar University.

Faraz was born in Kohat, Pakistan to Syed Muhammad Shah Barq. His brother is Syed Masood Kausar. In an interview with Rediff he recalls how his father, once bought clothes for him on Eid. He didn't like the clothes meant for him, but preferred the ones meant for his elder brother. This lead him to write his first couplet:
Laye hain sab ke liye kapre sale se (He brought clothes for everybody from the sale)
Laye hain hamare liye kambal jail se (For me he brought a blanket from jail)
He was told by his parents once to learn mathematics from a class fellow during the summer vacation. "I was weak in mathematics and geography. I still don't remember maps and roads".
Coming from a respectable family of Syeds, descendents of ''Haji Bahadar" a famous saint ofKohat, he moved to Peshawar with entire family. Studied in famous Edwards College, Peshawar and then did his Masters in Urdu and Persian from Peshawar University.
During his time in college, Faiz Ahmad Faiz and Ali Sardar Jafri were the best progressive poets, who impressed him and became his role models.

Literary and Political Life 

Outspoken about politics, he went into self-imposed exile during the Zia-ul-Haq era after he was arrested for reciting certain poems at a Mushaira criticizing the military rule. He stayed for 6 years in Britain, Canada and Europe before returning to Pakistan, where he was initially appointed Chairman Academy of Letters and later chairperson of the Islamabad-based National Book Foundation for several years. He has been awarded with numerous national and international awards.
He was awarded the Hilal-e-Imtiaz in 2004, in recognition of his literary achievements. He returned the award in 2006 after becoming disenchanted with the government and its policies.
"My conscious will not forgive me if I remained a silent spectator of the sad happenings around us. The least I can do is to let the dictatorship know where it stands in the eyes of the concerned citizens whose fundamental rights have been usurped. I am doing this by returning the Hilal-e-Imtiaz (civil) forthwith and refuse to associate myself in any way with the regime..." a statement issued by the poet.
About his current writings he says: "I now only write when I am forced to from the inside. Maintaining a tradition established by his mentor, the revolutionary Faiz Ahmad Faiz, he wrote some of his best poetry during those days in exile. Famous amongst poetry of resistance has been "Mahasara". Faraz was also mentioned by actor Shahzada Ghaffar in the Pothwari/Mirpuri telefilm "Khai Aye O".
Despite his deteriorating health, he was quite active in the Judicial Crisis, in 2007. He himself joined the lawyers to protest against the government, and also encouraged his colleagues to do the same.

kidney failure in a local Islamabad hospital on 25 August 2008.His funeral was held on the evening of 26th, by many admirers and government officials at H-8 Graveyard, Islamabad, Pakistan.

Samples of poetry

A sample of his poetry is:
Nazm: Khwaab martay naheen
  • Khwaab maratay naheen
  • Khwaab dil hain, nah aankhen, nah saansen keh jo
  • Rezaa, rezaa huwe to bikhar jaayen ge
  • Jism kii maut se ye bhii mar jaayen ge

         English translation
  •         Dreams do not die
  •         Dream are not heart, nor eyes nor breath
  •         Which shattered, will scatter
  •        Die with the death of the body.